11/13/2022 0 Comments Qbert sounds![]() ![]() Then there is Slick, who I believe is the little purple dude with spiked hair whose job is to basically hop around and change the colors of the cubes to mess Q*Bert up. There is Coily the purple snake who wants to grab him up. Q*Bert's objective is to hop around on a pyramid of cubes all the while changing each cube into a different color when stomping on it until the whole pyramid of cubes is the same color. The classic arcade game "Q*bert," came out in 1982 by Gottlieb and featured 3-D graphics. This video game I am speaking of is my buddy "Q*Bert," that quirky round little alien with a nose he could use for a pogo stick. I'd like to take the time to reflect on an 80's video game that has a permanent stamp in my memory bank and has brought some special memories into my life. Being on Retro Junk allows me to embellish on my 80's memories, so I thought I'd take a stab at an article and see how it flows. I was fortunate enough to grow up in that wonderful and interesting decade and there are things from that time that will stick with me forever. "If you want to convey a feeling of Godzilla coming with drums, you have to find a special type of sound - so I had to learn to scratch the eerie sounds."Īnother avenue movie work has opened is working in digital surround sound - using five channels instead of music's typical stereo output.I am a sucker for nostalgia especially when it comes to 80's video games. "'s very percussive - it's very hard to convey different types of emotions," he adds. I started scratching that type of music, and it came out like a totally different style. "So I went and studied lots of monster movie flicks, and the energy they brought out - the whole atmosphere of a giant monster coming to town and wrecking buildings. "One song I remixed was called 'Invasion of the Octobots,' about these giant octopus robots destroying the city," he says. were asked to refrain from competing and let somebody else win for a change. The challenges of cinema have allowed Q-Bert to explore his sound - a critical step for a man who'd already pushed record spinning to an extreme with cuts like "Invasion of the Octopus People," from the Return of the DJ compilation, and dazzling live displays of innovative new or improved scratches, scoring several top prizes with ISP at the acclaimed DMC international championships before Q-Bert and Co. "With normal scratching, you'll take a sound and move it back and forth," Q-Bert says. Though the swirling, psychedelic action narrative may share something with Disney's animated music epic Fantasia (which he's never seen) and Saturday morning cartoon Super Friends (one of his favorites), the movie owes more to B-Boy culture, with animators Syd Garon and Eric Henry creating scrawled texts, hip-hop fashions, and visual equivalents of cuts and scratches. ![]()
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